The National Museum is a museum located on Jalan Damansara in Kuala Lumpur, Malaysia. The museum is situated in close proximity to the Perdana Lake Gardens and it provides an overview of Malaysian history and culture. Wikipedia
Address: Jabatan Muzium Malaysia, Jalan Damansara, Tasik Perdana, 50566 Kuala Lumpur, Wilayah Persekutuan Kuala Lumpur
Open ⋅ Closes 6PM
Public transit access: Kuala Lumpur Sentral railway station (KTM Komuter, KJ Line and Monorail), MOREPhone: 03-2267 1111
Did you know: Muzium Negara is a repository of Malaysia's rich cultural and historical heritage. jmm.gov.my
The National Museum (Malay: Muzium Negara) is a museum located on Jalan Damansara in Kuala Lumpur, Malaysia. The museum is situated in close proximity to the Perdana Lake Gardens and it provides an overview of Malaysian history and culture. The National Museum is a palatial structure built in the style of Rumah Gadang, an aspect of Minangkabau architecture. Its facade comprises elements of traditional Malay and modern features. It was opened on 31 August 1963, and it serves as a repository of Malaysia's rich cultural and historical heritage.
The National Museum is a three-storey structure 109.7 metres (359 ft 11 in) long and 15.1 metres (49 ft 6 in) wide, which is 37.6 metres (123 ft 4 in) high at the central point. The museum houses four main galleries allotted to ethnology and natural history. The displays range from free-standing tableaux showing cultural events like weddings, festivals and costumes; to traditional weapons, musical instruments, arts and crafts, ceramics, and flora and fauna.
The old Selangor Museum
The National Museum was established on the site of the former Selangor Museum. It was built by the Britishand Selangor governments in 1898 following the formation of the Federated Malay States in 1896. On 10 March 1945, during the end of World War II, the right wing of the museum was bombed and destroyed by the US B-29 bomber, from the Allied Forces. The museum's collection was then moved to the Perak Museum in Taiping.
After World War II, the left wing of Selangor Museum was still in use as a historical site. On the brink of the independence of the Federation of Malaya, Prime Minister Tunku Abdul Rahman conceived the idea to build a museum to house national historical and cultural treasures as well as specimens of flora and fauna. The old museum structure was completely demolished to make way for a new museum.
Construction began in 1959 and was complete in 1963. The National Museum was officially opened on 31 August 1963 by Tuanku Syed Putra Ibni al-Marhum Syed Hassan Jamalullal, the 3rd Yang di-Pertuan Agong.
On 4 April 1996 the building was gazetted under the Antiquities Act 169/1976 as an ancient monument and historical site.
Avalokitesvara found at Bidor, 8th-9th century CE
View into the main hall
The museum's design by architect Ho Kok Hoe was inspired by the architecture of the Malay royal palaces and vernacular Malay architecture. The design incorporated the need for exhibition and activity spaces. The large mosaic murals spanning the entrance depict the history and culture of the country. The floor of the central section of the main building is decorated with special tiles which were gifts from the government of Pakistan. In addition, UNESCO facilitated consultancies by museum experts from other museums around the world.
Displays and exhibits in the museum focus on local history, culture and traditions, arts and crafts, economic activities, local flora and fauna, weapons and currency.
The museum houses various galleries, each with its own theme. The ground floor showcases the geographic and natural history of the Malay peninsula starting with the Stone Age, the Bronze Age and the Iron Age, Hindu-Buddhist kingdoms to Muslim sultanate of Malacca. The ancient Malay Hindu–Buddhist states of Gangga Negara, Srivijaya and Majapahit are referenced. Among the collections are the stone makara statue, the bronze Avalokiteshvara of Bidor, the model of Bujang Valley temple in Kedah, and also displaying region's ancient legacy such as Javan Borobudur and Majapahit vessel. The exhibit continues to the later Muslim Sultanate of Malacca and the various states of Malaysia. The display demonstrate the importance of Malaccan sultanate for Malaysian national identity. The second floor is dedicated to the colonial history leading all the way to Independence. There are copies of the royal headgear of Malay rulers.
Adorning the floor of the Central Hall are blue geometric-design mosaic tiles from Pakistan, with intricate carved panels on the ceiling of the hall. The Central Hall houses temporary exhibitions. Thematic and special exhibitions are held at this hall at intervals to promote an awareness of the country's diverse culture and heritage. Foreign exhibitions are held occasionally.
Some of the exhibitions that were held in this hall at some point of time included 'The Islamic Civilization', 'Our King', 'The World of Flowers', 'Durian King of Fruits', 'Masks from Sarawak', 'World Currency', 'Islamic Frontiers of China', 'American Frontiers', and 'Religious Architecture from the Netherlands'.
The museum places strong emphasis on the Malay World, and a considerable section is devoted to the founding of the United Malay National Organisation (UMNO), one of the parties of the National Front (Barisan Nasional). Interestingly, few if at all were any mentions made of the involvement of the Malayan Chinese Association (MCA) and the Malayan Indian Congress (MIC), which 3 parties worked together to achieve Independence of Malaya on 31 August 1957.
Other galleries include the National Sports Gallery and the Natural History Gallery.
In the vicinity of the museum building, there are a number of outdoor displays of transportation in Malaysia, past and present. An interesting exhibit is the Melaka Bullock Cart which closely resembles the early American horse-drawn wagon. Of unparalleled interest are the Steam Locomotive made by Kitson & Co, England, which was put into service in 1921 until it ceased operation in 1969. It covered 1.5 million rail miles; a Tin Dredge which resembles a floating factory, on a natural or artificial lake. Also on display are motorised vehicles, including antiqued civic vehicles and private vehicles, including an early 1.3 litre Proton Saga, the first national car launched on July 9th 1985.
National Museum also holds regular thematic exhibitions featuring specific aspects of life and world culture.
Another attraction of the museum is an original-size old Terengganu timber palace known as Istana Satu. It was erected by Sultan Zainal Abidin III, Sultan of Terengganu in 1884 in the compound of Kota Istana Maziah, Kuala Terengganu. This building is of Terengganu Malay traditional architecture, in the form called "Rumah Tiang Dua Belas". The wood used is cengal. Istana Satu was erected in the National Museum compound in April 1974.
Rich Malay craftsmanship is evident throughout the palace, from the intricate wood carvings that adorn doors and windows. The restored palace is a charming wooden house designed for the tropics. Standing on stilts that allow air to circulate freely under the building, the palace's steep thatch roof contributes further to keeping the interior of the house nice and cool.
Standing majestically next to the Istana Satu are two keliriengs or burial poles. A kelirieng is made of a huge hardwood tree trunk, carved from the top to bottom. Niched up to its sides is a space for the bodies of slaves and followers and hollowed at the top to place the jar containing the chief's bones.
The Orang Asli Crafts Museum
Visitors who want to learn about the original inhabitants of Malaysia should visit the Orang Asli Craft Museum. The museum showcases the arts and handicrafts of the Orang Asli people, the aboriginal communities who dwell mostly in rural areas across the Malaysian Peninsula. The museum explains how there are 18 different tribes of Orang Asli divided into 3 main groups, the Negrito, the Senai and the Proto Malay. The Orang Asli are famed for their handicrafts, particularly the wood carving skills by the Mah Meri and Jah Hut tribes who like to carve masks and figures and these are highly valued by collectors.